Creative Labour / Alan Mckinlay; Chris Smith
Editor: Estados Unidos de América : MacMillan , 2009Edición: 1° EdDescripción: 270 páginas ; 24 cmTipo de contenido:- texto
- no mediado
- volumen
- 9780230222007
- 331.1 M214 2009
| Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Copia número | Estado | Fecha de vencimiento | Código de barras | Reserva de ítems | |
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Sede Santo Domingo Sala general | Col General | 331.1 M214 2009 (Navegar estantería(Abre debajo)) | Ej.1 | Disponible | SDO023088 | |||
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Sede Santo Domingo Sala general | Col General | 331.1 M214 2009 (Navegar estantería(Abre debajo)) | Ej.2 | Disponible | SDO023089 | |||
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Sede Santo Domingo Sala general | Col General | 331.1 M214 2009 (Navegar estantería(Abre debajo)) | Ej.3 | Disponible | SDO023090 |
Factura Educativa
PART I THEORY AND OVERVIEW 1.- Creative industries and labour process Analysis 2.- Creative labour: Content, contract, and control 3.- From conception to consumption: Creativity and the missing managerial link 4.- Working in the creative economy: risk, adaptation, and the presistence of exclusionary networks PART II CREATIVE LABOUR IN PRACTICE: FILM, THEATRE AND TELEVISION 5.- Getting in and getting on in Hollywood: Freelance Careers in an Uncertain Industry 6.-Active Networking: Action, social structure and the process of networking 7.- 'I Don't Know Where you learn them': Skills in film and TV 8.- Bringing Creativity to market: Actors as Self-Employed Employees 9.- Making 'The bits between the adverts': Management, accouting, collective bargaining and work in UK commercial television, 1979-2005 PART III New Media 10.- Situating the production of new media: the case of San Francisco (1995-2000) 11.- Beyond the Hype: Working in the German Internet Industry 12.- The Organisation of Creativity: Content, Contracts and Control in Swedish Interactive Media Production
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JL
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